Advertisement Continue reading the main story Natalie Dessay as Marie, the heroine of the title, asked us to consider a third theory of comedy: that people are funny when they behave like machines.
Yet and this is crucial to her success she fades instantly and easily from machine into something human: an extraordinarily busy kind of humanity, operating at jacked-up, silent-movie tempos.
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In other words, his B flat and our B flat are not the same. His tone is slender but athletic.
At one moment she is a flailing robot, with gauges set imprudently high and threatening meltdown. As identified in the introduction, GARs in BC face a number of challenges when it comes to securing a stable financial future after the initial settlement process.
Pains were taken to excise every bit of fluff and gold braid, anything that might remind us of the toy-soldier productions traditional to this ever-endearing piece. It has a ring and a resonance easily heard in a space the size of which Donizetti certainly did not plan on. Pains were taken to excise every bit of fluff and gold braid, anything that might remind us of the toy-soldier productions traditional to this ever-endearing piece.
Dessay will not be accused of stand-and-deliver opera. His tone is slender but athletic. Less theatrical but perhaps more difficult were the restrained, drawn-out held notes he managed so well later in the evening.